Posted by crumbsroom ![]() 9/25/2025 11:45 pm | #1141 |
Have I talked about Eephus? Has anyone else seen it? I didn't know what I thought of it while I watched it, but it is a movie that just lingers.
Baseball is the best sport to make movies about.
Posted by Jinnistan ![]() 9/26/2025 3:05 pm | #1142 |
crumbsroom wrote:
Baseball is the best sport to make movies about.
Oh, I see. As soon as the Blue Jays are tied for the lead with the Yankees, all of the true colors spill out.
Posted by Jinnistan ![]() 9/26/2025 3:53 pm | #1143 |
Generally regarded as one of if not the best of the recent spate of Nicaissance Cage films. I found it to be more indicative of what I like least about these so-called comeback performances. This isn't self-parody, necessarily (he's already accomplished an entire genre of that), but in all honesty the bulk of his performance here rests on the simple fact of being Nicolas Cage, albeit a more exhausted version, but with an unmistakably intense brood. Cage simply has to look like himself, anguished and eccentric and vaguely confused, to establish his character, and the audience's preconceptions of Cage handles the rest. That he's a hermit truffle-hunter on the hunt for his stolen pig also establishes a built-in pathos, and thankfully the film is sincere enough to avoid smirking camp, although this earnestness also makes the film a bit dismal. But this isn't a bad film at all, even as a contrived revenge drama. I just wouldn't consider it, as Cage does and many critics do, a career best.
7.5/10
The upside to writing and directing your own vanity comedy films is not only can you pay a couple of gorgeous actresses to be contractually obligated to find your schlubby hubby body sexually irresistble but you can also afford phallic prosthetics as well. What you don't have to worry about, apparently, is bothering to write any jokes for your vanity comedy film. Instead, you can rely on some (schlubby) slapstick and grabass, some sitcom-cutesy banter and one admittedly amusing homoerotic fistfight. I guess that's enough in this economy.
6/10
This is one of those hysterically stupid scripts which must have been written with the "second screen" ethos in mind. Either that or Ron Howard and his writer, Noah Pink, have just lost any remaining respect for their audiences. Based on true events, allegedly, I have not seen but have no trouble recommending the documentary The Galapagos Affair: Satan Came to Eden instead. (The fact they truncated that awesome subtitle is evidence of the total lack of imagination utilized here.)
There are nowhere nearly enough tsunamis in the Pacific Ocean to wash the stench of this putrid motion picture off of the servers of whichever forsaken streaming service it will be damned to fester.
1/10
Posted by Jinnistan ![]() Yesterday 5:51 pm | #1144 |
There is some dislocation involved in adapting Thomas Pynchon's Vineland, and subsequently one of this film's biggest surprises is in how little of an adaptation it turns out to be. Given the shifting chronology, audiences will have to accept a fictitious alternate 21st-century America which had a militant left-wing revolutionary network operating roughly around the time of the Obama years. It might just be easier to assume this film as entirely "near future", as the extremities of the political polarization, between social justice warriors on one side and anti-immigrant, um, Christmas nationalists on the other, is eeriely more prescient for our current moment than events some 16 years in the past. But in this way, the film's two time tracks, separated by approximately a generation, seem to both overlap with our current social climate, and if you can shrug off this inconvenient anachronism it doesn't really alter or diminish any of the more pointed commentary on our current day and age. Whether or not this will be seen as the best film of 2025, and it's surely a candidate, what's less contested is that this is the most 2025 film, and as great films should, it will be seen as a touchstone of the mood and tenor of this era.
Setting the historical incongruities aside, and simply enjoying the film as a tale, it is still a marvelous work. All of the specifically American idiosyncrasies, the dogmas and the violence, are caricatured and sawed-off and largely rendered tragically absurd, a message for the youth (epitomized in an excellent debut performance from Chase Infiniti - her real name, I'm told) to avoid the "bullshit", the sins and pretenses of the past, a truly progressive incitement. Our little Leo DiCaprio, has finally gotten as close as he can to summoning his inner Jack Nicholson. And the most intense car chase sequence which doesn't even require a single turn of the steering wheels. So much triumph.
And between this and Phoenician Scheme, Benicio del Toro better get his goddamn Oscar this year. Who are we fooling, folks?