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Dear Friends, Episode #8: Being On Radio Is More Fun Than Watching TV
(side one, originally aired live on KPFK on October 18, 1970)
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🤰🍿
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I did the rare thing of actually getting to the point of giving up trying to find a proper vinyl of Khan's early work and just YouTubing him already. It's been many years now and enough is enough. It's just been an absolute headache trying to figure out where I should even start, and that's not even considering the pains of trying to find any of these records at a remotely affordable price to me.
The above is what I've been looking for for years. I do have later releases of his on vinyl, which are fine but are clearly adjusted in both the arrangements and in the production to be more favorable to Westernized ears and so as good as they may be....that's really not what I want. They have never lived up to his legendary expectations, even though they are the records that are usually the ones most recommended by music critics.
But this, this is exactly what I want. This is the shit. And now, even knowing that what I am likely looking to get is probably going to be under his "Party" moniker....I still have no idea where to start.
It would be nice for some world label to do some proper re-releases of these more traditional records. There's got to be somewhat of a market for them. If considerably more obscure 'world artists' like William Onyeabor can get a complete critical reassessment, and a pretty ubiquitous presence in modern record stores, why not one of the og's who brought attention to the world market?
Maybe it's simply because acts like Onyeabar or Kuti can also essentially be digested as dance music. The kind of thing that can make even the most vanilla of music listeners respond to an obscure artist. And I guess no one is going to hit up a dance floor to Khan....which speaks strongly to how little people seem to actually care about more intensely spiritual listening experiences. If it doesn't hit your booty, I guess no one cares.
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Wish I could help ya, but I’m only really familiar with his later work as a playback singer for Bollywood movies, which I suspect is catered to be more commercially accessible.
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Rock wrote:
Wish I could help ya, but I’m only really familiar with his later work as a playback singer for Bollywood movies, which I suspect is catered to be more commercially accessible.
It seems to be something that even those really familiar with his work don't really acknowledge. Everything they point to is his post 1988 recorded output. It's almost like they act like he didn't exist before Peter Gabriel "discovered" him.
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So, the new National album was written by an AI pretending to be The National, right?
Nice try, Elon. You probably thought considering the band no one would be able to tell, that they always sound exactly the same and that this would be an easy one to sneak passed us undetected, but I can sniff this shit out.
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Listening to the Steven Wilson compiled Intrigue boxset of postpunk and other early 80s British stuff.
Never heard of these guys
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I like that Primal Scream; gonna have to dig deeper.
Looks like we might be on a similar wavelength; maybe it's something about the onset of summer:
In August 2002, after a couple of years floundering from a major dent in my life plan, I sold my car and embarked on what would become three years abroad, two months in the hinterlands of Western China followed by three years in Japan and almost completely out–of reach of whatever was going on back in the Western Hemisphere (save for the few lifelines tossed to me by good friends like our mutual friend and boardhost).
Jurassic 5 appears to be one of those amazing things to blow up during that time, with their debut dropping in October of that year, just two months after my departure from the the Western world. I would've been fresh off a two–day ferry from Shanghai to Osaka, sleeping in "bijunessu hoterus" by night and working the phones and Internet by day in search of employment, eventually landing in a run–down burg far from the action for my baptism of fire in learning the ropes of a linguistic and cultural environment entirely foreign to anything I had known or learned. Lots flew under my radar during that time, including, apparently, Jurassic 5.
My guess is that this group got a little outshined by mainstream crossover mega–hits from established talent like Outkast's Speakerboxx/The Love Below and The Roots' Phrenology and The Tipping Point — stuff that I would get exposed to during my yearly trips back to Tennessee for the holidays — but for whatever reason, I'm just now discovering Jurassic 5 over 20 years after they apparently blew the fuck up to enjoy a healthy dose of success in their own right. After hearing the track What's Golden about four days ago I was hooked enough to buy the album it came from, Power in Numbers, and upon hearing it today, I regret nothing. Proper praise cannot be expressed any other way without saying it the way it would've been said at the time: fuckin' dope.
Ah, correction: Jurassic 5 had their debut in 1995. It was this album, Power in Numbers, that dropped in October 2002.
Last edited by Rampop II (5/13/2023 10:29 pm)
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