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Jinnistan wrote:
I don't know if this was done as an extra to the recent Criterion release, but I hadn't seen it. Scorsese talks to Fran Lebowitz about After Hours and New York in the 80s.
Loved this. The synergy between Scorsese and Lebowitz... I hate to use an expression like "it pops," but it just pops. Their common background, wit, and mutual respect, fueling these lively tales... jesus I can't write... filling in the details of ... oh fuckit I can't write. blame it on my medication. Loved this.
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Murder in a Blue World (requires sign-in)
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Some public domain Halloween night programming if anyone still hasn't decided what to watch.
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Well, here's a nasty Naschy that is on Youtube.
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10:30 PM Summer (Jules Dassin, requires sign-in)
William Friedkin's follow-up to Live and Die in LA
Inspired by Phoneix....another Beresford
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Requires sign-in - Ken Russel's Mahler
I think I've previously posted this one, but it's always good to find a good new copy
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The BFI restoration.
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Those goddamn bastards. (That was the 1927 Napoleon btw.)
Here's some footage I hadn't seen before. It's raw video for a Japanese TV special about The Shining, shot at Elstree Studios where post-production was taking place, and including a bit of B-roll. The only part of the footage I'd seen beofre is a snatch of the telephone interview with Kubrick himself, which is now somewhat famous for including what may be his most lucid explanation for the ending of 2001. But the real gold here is nearly an hour spent with Vivian Kubrick, the lovely young woman of barely 20, who gives a small tour of the Kubrick offices at Elstree and provides some of the most extensisve interview time from her adult life. It's immediately clear how she was Kubrick's favorite daughter and how heartbreaking it must have been when she joined Scientology and severed ties with her father and family, a heartbreak probably contributing to his death.
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Jinnistan wrote:
Those goddamn bastards.
I told myself I was going to watch that. But I know I wouldn't have.
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You can skip right to 11 minutes (or better yet, 15) for an incredibly 43 year old Tina Turner. This is why no one respects lip-synchers. Either perform or don't.
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I don't know what Canadian television looked like at the time, but these videos, even given that they've extracted the actual music for copyright purposes (although you can figure it out if you want to pursue it further), are a potent nostalgia bomb for me personally, so they need to be here, rather than the listening thread (because, you know, the absence of the music), and it still has its charms even if the nostalgia isn't directly connected. I'm sure you can deal.
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Maybe we can get more eyeballs on this one.